LIZZ ASTON "MONUMENT (TO A FUTURE SELF)" 2020 Joyce Wieland 1960s if not 20th-century American abstraction

if not 20th-century American abstraction

alongside Jackson Pollock

This particular photograph was created during the filming of "Skin Flick" (1999)

“Edmonton” is a quintessential example of his mastery of geometry and color

LIZZ ASTON "MONUMENT (TO A FUTURE SELF)" 2020 Joyce Wieland 1960s if not 20th-century American abstractionLizz Aston's practice is informed by the history and production of textiles and decorative arts. In recent years she has also been intrigued by nature (including flowers and semi precious rocks), human interconnectedness, and the current sociopolitical environment. Her process often begins with an anonymous textile pattern, such as a hand made lace doily, and then manipulating it digitally before creating a new contemporary descendant. These