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He may have turned to kitchen subjects on his admission to the Academy in 1728 to distinguish himself from artists such as Desportes and Oudrey who specialised in game and hunting pieces
He occasionally repeated a composition and often reuses the same objects in a new arrangement
Exhibited at the Royal Academy in 1865 accompanied in the catalogue by a sonnet by the artist's friend
The subject of this scene of idyllic love is taken from Catullus
The Crucifixion Size:medium He may have turned to
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