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King of Argos
the Palazzo Manolesso-Ferro
Burne-Jones probably used William Morris's Earthly Paradise as the source of this subject
shows Mme Pissarro sewing in front of a window in their home at Pontoise
Acme and Septimius WA2016.48 King of ArgosThe subject of this scene of idyllic love is taken from Catullus, Carmine XV. Both the round shape and composition are indebted to Raphael's Madonnas. The background includes the rose, traditionally the symbol of love, and orange trees. When it was exhibited at the Royal Academy in 1868, it was praised by critics, who noted with approval Leighton's chaste treatment of the scene.
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